Japanese Metal Band SIGH Re-Records 2007 Album for 35th Anniversary

Ari Aster's new film 'Eddington' depicts a small New Mexico town in 2020, mirroring real-world tensions involving government clashes and conspiracy theories that resonate with current societal unrest. The film, premiering at Cannes with strong reviews, explores themes of paranoia and violence against a backdrop reminiscent of recent U.S. political and social conflicts. Similarly, theatrical and gaming projects like 'The Guy Who Didn’t Like Musicals' and the horror game 'ILL' delve into apocalyptic and horror themes, blending dark humor, immersive narratives, and intense visuals to engage audiences with contemporary fears and anxieties. 'The Guy Who Didn’t Like Musicals' uses a zombie apocalypse musical spoof to satirize the genre, while 'ILL' offers a groundbreaking first-person horror experience with realistic gore and a terrifying atmosphere. Meanwhile, Cathy Wippell’s one-woman show 'Cabaret for the End of the World' combines dark comedy and horror to address climate change and societal collapse in a post-apocalyptic UK setting, emphasizing activism through art. These diverse works collectively highlight how horror and satire continue to reflect and critique present-day issues, from political turmoil to environmental crises.